You’ve seen it everywhere at this point. TV Line has even compiled a list of cancelled TV shows fans want brought back and it was #1. So what is this Sanditon show social media has been fighting for and buzzing about since October? It’s Emmy award winner Andrew Davies’ (BBC Pride and Prejudice, Northanger Abbey) adaptation of Jane Austen’s unfinished novel of the same title that brings gorgeous complexity to regency era in a seaside resort with perfectly compelling characters. It’s the compelling story of humanity and how we operate amidst judgements and mistreatment. It’s the love stories between polar opposites that found laughter with each other and kindred spirits who’ve healed each other of all darkness within. It’s colorfully complex characters arguing over money, regattas, and pineapples? It’s the period drama you won’t want to miss because unlike ones that have come before it, it’s deliciously enticing and even in the midst of the quiet serenity, there’s gorgeous storytelling happening. There are a plethora of reasons why Sanditon is a show I’d recommend to anyone, but here are the top 10.
- It’s Jane Austen
If there’s one thing you need to know about me it’s that I’m an absolute Jane Austen snob. The first time I ever read Pride and Prejudice, I wept because I knew I had found the author of my dreams and that we’d be on this adventure for life. (I even got to visit her Chawton house in England, and it was one of the most magical adventures in my entire life!) So for me, I’ll watch anything and everything Austen-inspired without question. But dare I say that Sanditon might actually be my favorite? (No one tell Emma.) And yes, I know Austen’s novel is unfinished and the series is essentially Davies’ version of fan fiction, but it’s brilliantly moving and with the proper conclusion, a story I feel Austen would be proud of. Sanditon is an exhibition of Austen’s deliciously enamoring side of storytelling that focuses on the darkest parts of characters and their tremendous growth through it all. Point being, if you love Jane Austen and haven’t already watched Sanditon, what on earth are you waiting for? Here’s a formal invitation to do so, come one, come all. You’re welcomed.
Welcome to Sanditon weekly, darlings — this one is going to be a bumpy ride so buckle up and maybe bring back the spiked tea. There’s a great deal to unpack with this episode, for it deals with perhaps some of the most human struggles to date. What does it mean to see ourselves through another’s perspective? Are we defined by the decisions we’ve made in the past or are we defined by the labels that are given to us? Or do we define ourselves with the choices we make every single day? It’s a never-ending struggle because even when you are certain of who you are and you’re proud of who you’ve become, outside opinions cannot always be ignored. Sometimes they should be, other times, they should be taken into consideration. However, I’ve yet to hear of a single human who’s mastered the art of not allowing another’s opinion to get to them, if they have, I’d like to meet them. And as we’ve gathered by now, the people in Sanditon don’t shy away from their opinions.
The season’s penultimate episode is a strong compilation of imperfections and the art of being a confidant. Sometimes, all a person really needs is just one other to believe in them, one person to see them as they truly are, for it is that very belief that inspires us daily. We aren’t meant to be alone — the connections we make throughout our lives intricately shape us into the people we become. The untitled episode — let’s deem it “Love and Friendship”, (An homage to another Austen novel, see what I did there?) leaves us with a lot to ponder on; human connections, and the various perceptions we have of ourselves.
Welcome to Sanditon weekly, darling readers — the tropey-est, most exhilarating episode yet, we’re two away from the season finale and things are getting deliciously captivating. It picks up right where we left off last week with Charlotte on her way to London in hopes of finding Georgiana, except what she finds instead is Sidney on the same mission. And who doesn’t love an unplanned trope filled mission? All that was missing the necessity to share a bed because they were stranded somewhere with no other option, but I get it, I get it. It isn’t very Austen-esque. Lady Denham is now bed ridden and once she reveals that she’s already got her will ready to go, Edward and Clara make it their goal to find it. It’s the episode where we finally meet Lady Susan, a character who’s able to steal the entire show in the less than five minutes of screen time she has. To be that legendary, I wish I could relate.
It’s an episode that solidifies the fact that in spite of the tough exterior, Sidney Parker really is a good man — a sincerely warm being with a great amount of compassion flowing through his veins. At his core, he’s a giving man, as Tom explains in detail, he wasn’t always a conundrum. As we learn towards the end of the episode, Sidney was once engaged to be married, but because she left him for an older, wealthier man, it broke his spirit entirely. And after all the debts he acquired on a self-destructive path following his heartache, he set off to Antigua in hopes of finding something more. But as we learned last week, the man that left for Antigua returned possessed by guilt, regrets, and overpowering heartache. And that very man is the Sidney Parker we know today, the one who’s trying desperately hard, but failing to succeed as a result of the bottled rage that lives inside of him. (Is anyone else crying because I’m already choking up here imagining just how much the heartbreak destroyed him.)