Believe us when we say we’ve been around these neck of the woods for a long time now, actively paying close attention to all types of fandoms and how the world of social media operates around media. Marvelous Geeks is going on a decade in the world of TV and film reviews thus, it’s safe to say we’ve seen a lot. We’ve seen cancellations and renewals. We’ve seen campaigns run high and low to save beloved shows. We’ve seen successes and failures. But without exaggeration, we’ve never seen a fandom fight as hard as the Sanditon Sisterhood.
The Sanditon campaign reached World-Renowned Artist, Simon Beck and he has created a special #SaveSanditonsand art on the famous Brean Beach in the UK with the help of three volunteers of the Sanditon Sisterhood. Brean Beach was used countless times as filming location for the series, and the funds to commission the artist was raised by the fans in just a few hours. WHAT!? This is exactly what we mean when we say we haven’t seen anything like this. Fans of NBC’s Timeless know what it’s like to rise to such heights in ensuring the series gets Comic Con recognition. So we’re looking to you, Amazon. There’s a lot you might regret but saving Sanditon, and gifting this incredibly resilient fandom with a second season won’t be one of them.
“Let everything happen to you
Beauty and terror
Just keep going
No feeling is final.”
― Rainer Maria Rilke
Where do we even begin, darling readers? Welcome to the final Sanditon weekly rundown for the season. This is a tough one. I’ve got my tea ready and I hope you’ve got yours, too because we’ve got a lot to cover. This is a season that focused on sincerity and until its final episode, it delivered. It’s a show that wasn’t meant to end at the very moment it did, so here’s to hoping the viewership at PBS is enough to grant us a second season or even a crowd funded film. Firefly got it, Miss Fisher’s Murder Mysteries got it, Timeless did it. It’s possible. Sanditon is an incredibly special show that turned the Jane Austen universe upside down in a way that worked wonders — regency era had a lot of fire and spark in the midst of the seemingly put together world of high tea and country sides. This is an episode that touches on past episodes so intricately, it’s gut-wrenching. For what it’s worth, we were forewarned about all this, as mentioned in previous episodes, the narrative has been leading to these very moments with the seeds it’s planted throughout. What goes around comes around, we’re always told to be careful what we wish for, but to be human is to make mistakes — to be human is to feel every emotion through and through until our time comes.
“Without a quality of affection, marriage can become a kind of slavery.”
This is a love story. Sanditon is the story of a small, resort town full of colorfully complex nincompoops. (Lady Denham’s words, not mine.) and it’s a story of agency, profoundly broken characters finding solace with one another when they’re given the chance to choose the kind of life they want to carve out. It’s a great adventure that touches on the trials of love reminding us all of how precious it actually is when we find it — romantic or platonic.
Welcome to Sanditon weekly, darlings — this one is going to be a bumpy ride so buckle up and maybe bring back the spiked tea. There’s a great deal to unpack with this episode, for it deals with perhaps some of the most human struggles to date. What does it mean to see ourselves through another’s perspective? Are we defined by the decisions we’ve made in the past or are we defined by the labels that are given to us? Or do we define ourselves with the choices we make every single day? It’s a never-ending struggle because even when you are certain of who you are and you’re proud of who you’ve become, outside opinions cannot always be ignored. Sometimes they should be, other times, they should be taken into consideration. However, I’ve yet to hear of a single human who’s mastered the art of not allowing another’s opinion to get to them, if they have, I’d like to meet them. And as we’ve gathered by now, the people in Sanditon don’t shy away from their opinions.
The season’s penultimate episode is a strong compilation of imperfections and the art of being a confidant. Sometimes, all a person really needs is just one other to believe in them, one person to see them as they truly are, for it is that very belief that inspires us daily. We aren’t meant to be alone — the connections we make throughout our lives intricately shape us into the people we become. The untitled episode — let’s deem it “Love and Friendship”, (An homage to another Austen novel, see what I did there?) leaves us with a lot to ponder on; human connections, and the various perceptions we have of ourselves.
That cricket match alone calls for some spiked tea, darling readers. Welcome to another episode of Sanditon weekly where we’ve sadly made little progress, but the series is continuing to reiterate the importance of transparency in relationships. The significance of being open and honest with our beliefs is essentially the very thing that strengthens us as humans, too. It’s what allows situations to flow smoother as opposed to falling apart as drastically as they do in this episode, but for the sake of angsty television, it works in creating riveting, deliciously fun storytelling along with some heartbreaking arcs.
Humans having an aching desire to always want more — a desire to explore, to give in to their curiosities, and fundamentally, the right to live as they’d please. But along with those desires comes the necessary consideration regarding those around us, the understanding that we must treat people as we’d like to be treated and that in our honesty, we’re crossing bridges with far more nobility than deception. To kick things off let’s touch base with Georgiana and breaking down her character’s desire to see Otis beyond the restrictions against their relationship. Oh to be young and in love, I can’t say I don’t understand it. I also can’t say that I probably would’ve made different decisions – there’s something exciting about forbidden romances, it’s tropey goodness, but in reality, there’s a lot more to consider than our feelings along with the broken hearts we have. And as mentioned last week, choosing to keep Charlotte in the dark is the choice I don’t agree with, it’s where the importance of transparency comes in because if she’s willing to help as best as she can, she deserves to be in the loop with the decisions that are made. That’s why the decision to run off on her own when the decision was that Charlotte would accompany them is something that’s going to backfire in a number of ways. It’s not fair for what it basically leads to is Charlotte harboring guilt for stepping in Tom’s place during the Cricket match.
Welcome to Sanditon weekly, darling readers – what flavor of tea are we drinking today? (I’ve got the perfect lavender/blueberry mix.) The series’ untitled fourth episode is a dim ride with little progression, but perhaps, one of the most important arcs throughout the season. It’s an episode that focuses heavily on some chief flaws we all have as human beings – the choice to form judgements based on assumptions and frequently disregarding a universal truth, which is that there are always multiple sides to a story. It’s almost frustrating how many assumptions are thrown around in this episode, but it’s integral in this universe because Sanditon is one of Jane Austen’s more inclusively adapted pieces, it’s aware, there’s goodness stained with malice, and it’s centered around deeply complex human beings, thus demanding an episode like this.
First, let’s get into Lady Denham calling Clara out for being dramatic about her hand. “You’ve had more than your measure of sympathy.” You tell her — finally. It’s bizarre how hilarious this episode actually is amidst the serious ground it covers, but the balance makes the heavier pills easier to swallow. Lady Denham also calling Esther out for not marrying Lord Babington is ultimately all of us, let’s be real. In due time … in due time. But now, part of the episode’s darkness comes from Clara proving our previous beliefs to be true by admitting that she was sexually assaulted by an uncle on numerous occasions. And the choice to actually say this to Esther upon learning about her relationship with Edward is fascinating because for a moment, she’s looking after her. There’s a genuine sincerity in the way Lily Sacofsky carries Clara when she says that Esther can be free of him. It’s honest and open despite her endgame still being the inheritance. It’s hard to believe that a woman who has known great pain wouldn’t look after another if they’d admitted to defeat, and while there’s still great darkness in Clara, something tells me that if Esther hadn’t loved Edward, the ladies teaming up could have been good for both of them. Edward is the villain in all this for a number of reasons, his selfishness and manipulative nature at the top of the list.
Welcome back to Sanditon weekly, darlings, I hope you’ve got a cup of tea in hand because episode three is a bumpy, jaw dropping ride full of some exquisite tenderness, and the beginning of compelling sincerity. The third episode takes all that was set up last week and touches on the emotional echos of our decisions, where there’s an absolute lack of gratitude at the beginning of the episode, by the end, most characters are taking steps in the right direction. Sort of. Sanditon’s third episode focuses on transparency and the importance of seeing what’s right in front of us as opposed to consistently looking ahead towards something better. And while there’s absolutely nothing wrong with looking ahead, persevering or aiming towards a brighter future, the inability to be grateful in the midst of the chase is what often gets people into trouble. It’s also an episode that focuses on patience with a grace that’s to be admired because it’s continuing to take already complex characters and layering (some of) them with the awareness to try a little bit harder.
Sanditon’s third episode dives into the lives of the Denhams in a riveting manner, allowing us to see the fact that Esther and Clara, foils of one another, both serve such an infectious purpose to the series’ thrilling plot. Whoever said period dramas were slow and boring might want to rethink those beliefs after this episode, because the lives of the deliciously crazy is anything but boring. There’s tremendous anger in both Esther and Clara, one more than the other understandably due to the terrors they’ve faced off screen, but the opposite approaches they’ve taken in the face of dealing with the rage is what’s so fascinating about the two of them. Sometimes, anger in a woman is so deeply engulfing, there’s no turning back, other times, it’s cobbled so closely with a sadness that it’s possible to choose the more honorable route. Sanditon is a series that tells us what we need to know without ripping the rug from underneath us, and that’s why when Clara says: “You have no idea what I endured before I came here, and you have no idea what I’m prepared to do to ensure I stay”, we need to believe that she isn’t afraid of crossing the necessary lines to gain sympathy. (I mean for Christ’s sake, the girl gave herself a massive second degree burn!) Burns are painful, as someone who accidentally burns herself frequently at work because I work with a hot machine, I can vouch that it’s no child’s play. We don’t know how much Clara’s endured, I imagine there was a great amount of sexual assault and physical abuse involved that’s tragically forced her pain tolerance to increase, but the emotional trauma was undoubtedly far worse. I have a lot of sympathy towards Clara, no one deserves to go through any of the things we can assume she’s faced, but I’m also not one to condone villainous behavior when she’s standing in front of someone like Esther who’s trying so desperately to come out in a better light despite how little she’s showing it.
Sanditon’s second episode gives viewers plenty to sit with, good and bad — a jam packed hour full of some riveting moments that touch on the theme of class and judgement bitterly. It’s an episode full of some of the most cringeworthy statements along with some of the most relatable ones, but most exquisitely, it’s a testament to friendship, and Austen’s way of writing steadfast female friendships. If I were in charge of titling the episode, I’d call it “Paddling in the Sea”, for it’s best to describe the first steps into an astounding friendship and the exposure of Sidney Parker’s being, physically today and emotionally tomorrow. It’s an episode that does a remarkable job of shifting plates and allowing viewers to start seeing more sincerity in the characters. Thus finally, it’s an episode that spends a lot of its time discussing the panoramas of marriage and what it truly means to choose a partner.
To kick things off, these are the times I’m glad we no longer live in regency era because goodness every word out of Lady Denham’s mouth during the luncheon had me cringing so hard. (And I love period dramas immensely, but they’re just … so … white … and entitled.) But this is the very episode that lets us see into the hearts of those who matter most because Charlotte, Sidney, and Arthur all coming to Georgiana’s defense is the very showcase of how good natured their spirits are. Sidney’s especially which officially gives viewers a glimpse into his character’s true nature. He didn’t want to be Georgiana’s guardian, but let’s be real, not many would be in the right headspace to be anyone’s guardian during their mid-twenties. And while he grumbles about it, he doesn’t miss the opportunities to remind her of her value, something women in regency era, especially black women, aren’t reminded of as often as they should be. “You know you’re worth far more than Lady Denham and all her circle put together.” Sidney Parker might waste away his days at bars and boarding houses with smoke and self-deprecation clouding him, but at his core, he’s a man who’s fully aware of the strong women he’s surrounded by. It’s also a fantastic showcase of the fact that Charlotte was right in throwing him under the bus about being too cruel despite stating that he doesn’t care. “Think too badly of you? I don’t think of you at all Miss Heywood. I have no interest in your approval or disapproval. Quite simply, I don’t care what you think or how you feel. I’m sorry if that disappoints you, but there it is.” And oh how badly this’ll bite him later on.