In every sense of the word, Blindspotting is a love story, and it’s a shame that it won’t continue for the time being.
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Category: features
Why ‘The Dark Knight Rises’ Is Still Batman’s Best Possible Ending
Christopher Nolan’s The Dark Knight Rises remains the best possible ending for the titular caped crusader and the man behind the mask.
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A ‘How I Met Your Father’ Theory Makes the Cancelation More Heartbreaking
Despite its cancelation, this heartbreaking How I Met Your Father theory suggests that one character might not have made it to the end.
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How ‘New Girl’ Remains a Comedy Staple
New Girl’s relatability is a conundrum of sorts. Yet, we come back to it time and time again.
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In Defense of the Third Act Breakup in Romance Novels
When done right, the third act breakup in a romance novel is meant to evolve character development and give a little grace.
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How ‘The Summer I Turned Pretty’ Is Leading a Much-Needed Trend in Teen TV
The Summer I Turned Pretty brings us back to a softer model of storytelling and one that’s perhaps even more powerful for being more subdued.
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How ‘Mamma Mia! Here We Go Again’ Adds Layers and Nuance to the Original
By taking viewers back to the past, Mamma Mia! Here We Go Again adds nuance and layers to the story by putting love at the center.
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A ‘Pirates of the Caribbean’ Fangirl 20 Years Later
Pirates of the Caribbean: The Curse of the Black Pearl is 20 years old and stands the test of time without question.
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Why Barbenheimer Matters in Film Discourse
Barbenheimer is a lot like film summer camp—a celebration of two credible directors and the art of creativity.
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Fandom, Feminism, and TV’s Branding Problem
Fandom and female viewers are a tremendous part of the demographic watching and promoting TV, it’s time to stop dismissing them.
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We Need to Talk About Margot Robbie’s Most Underrated Role
Before she was dazzling in shades of pink as Barbie, Margot Robbie’s best role was as Pan Am stewardess Laura Cameron.
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5 Reasons to Watch ‘Star Trek: Strange New Worlds’ for Non-Trekkies
For Non-Trekkies, Strange New Worlds is a perfect start for its intriguing characters, relationships, and thought-provoking narratives.
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‘Obi-Wan Kenobi’ Doesn’t Just Deserve an Emmy Nomination, but a Win
Through its exploration of grief and vulnerability, Obi-Wan Kenobi doesn’t just deserve the Emmy nomination, but it deserves to win.
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We Need To Stop Mocking Fans for “Shipping”
We need to stop mocking fans for shipping because how someone else consumes media shouldn’t be anyone else’s business.
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Why Joe Wright’s ‘Pride and Prejudice’ Remains a Period Drama Staple
Pride and Prejudice 2005 might not be everyone’s cup of tea, but the setting is worth every minute of its runtime.
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The Witcher’s “Shaerrawedd” Is a Promising Nod to Romance and Family
The Witcher’s “Shaerrawedd” uses angst to its advantage, bringing to our screens an episode that feels like Yenralt fan fiction.
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Strange New Worlds’ “Tomorrow and Tomorrow and Tomorrow” Offers a Trope-Filled Adventure for La’an and Kirk
Strange New Worlds’ “Tomorrow and Tomorrow and Tomorrow” gives La’an and Kirk a romance trope-filled time travel adventure.
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Nida Manzoor’s ‘Polite Society’ Brilliantly Honors Sisterhood
Nida Manzoor’s Polite Society is a triumph in every way. It’s thought-provoking, hilarious, and action-packed, with astounding pacing.
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‘An Offer From A Gentleman’ Scene By Scene Breakdown
This article explores significant scenes in Benedict and Sophie’s story in Julia Quinn’s An Offer From A Gentleman.
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‘Chicago Fire’ Isn’t the Same Without Chief Evan Hawkins
Amid some questionable decisions in a single season, killing off Evan Hawkins still feels like an unnecessary gut punch.
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